STATEMENT
I make art to unravel forms — physical, social, and symbolic. Nothing is fixed: not identity, not the body, not even reality itself. My work resists the familiar and embraces fluidity, tracing the points where structure dissolves and meaning slips.
The body is both metaphor and subject in my practice — a vessel in continuous mutation and the site through which we perceive and are perceived. Through sculpture, installation, and digital media, I fragment and reassemble bodily forms, queering traditional masculinity and using sexuality as a way to access the unconscious, the irrational, and the hidden.
Materials such as fabric, vinyl, hair, and found objects are combined with processes of sewing, casting, and prototyping to produce hybrid figures that oscillate between the tactile and the virtual, the absurd and the surreal. These works unsettle the boundaries between body and object, real and fabricated, familiar and uncanny.
My approach is grounded in philosophy — being (Heidegger), embodied perception (Merleau-Ponty), and the detachment of meaning from origin (Baudrillard) — as well as in posthumanist thought. Above all, each work is a statement from the spirit within: a response to what cannot be easily named, but insists on being seen.
EDUCATION
MASS Sculpture Programme
Turps Art School
Royal College of Art (MPhil)
Central St Martins (MA)
EXHIBITIONS
2025 - 100/50, Unit 1 Gallery - London (UK)
2024 - Landslide, Mass Sculpture End of Year Show, Thames Side Gallery - London (UK)
2023 - Artist's Artist, OSHS Projects - London (UK)
2022 - Hard Times, Koppel X - London (UK)
2022 - Verb - Mass Sculpture End of Year Show, Mass Studios - London (UK)
2022 - Fools Gold - Mass Interim Show, Mass Studios - London (UK)
2021 - Works on Paper, Thames-Side Studios Viewing Room - London (UK)
2018 - Do Re Mi Fa So La Te, Griffin Gallery - London (UK)
2017 - Setting the Scene - Online Exhibition
GRANTS AND AWARDS
Grant Fundação Calouste Gulbenkian
Award The Chris Garnham Prize