-
The Naked Sculptor and the Knife
Lee Miller, Lynn Chadwick, and the Gender of Post-War ReconstructionA naked sculptor, a woman with a camera, a knife catching the light. In 1957 at Farley Farm, Lee Miller photographed Lynn Chadwick in an unexpected act of vulnerability and control. Their encounter reveals a deeper story about gender, war, and how art rebuilds the body after destruction.
-
Glen Pudvine’s The Church of Self
Frieze London 2025, Xxijra HiiI encountered Glen Pudvine’s The Church of Self on the opening day of Frieze London 2025. It was one of those rare moments when a work seemed to mirror, quite literally, the questions I circle around in my own practice. What follows is a reflection on why this piece resonated so strongly.